quis ter uma Lavandaria.”
CONVITE (INVITATION):
Impressão offset em cartão (offset print on card), 2018
CASA DE BANHO (TOILET):
Conceição Silva, Auto Retrato, finais do séc XIX (late 19th century), óleo sobre madeira (oil on wood), 17 × 19 cm
MÁQUINA DE LAVAR ROUPA (WASHING MACHINE):
Duane Allman, Goin’ Down Slow, 1969, 55’’ (loop)
MARQUISE:
Sem título (Untitled), 2018, estampagem e tinta acrílica sobre
t-shirts e panos de cozinha (heat transfer and acrylic on t-shirts and tea towels)
ANA JOTTA, “Não sendo Marquise, sempre quis ter uma Lavandaria.”, 2018, offset print on card
ANA JOTTA, “Não sendo Marquise, sempre quis ter uma Lavandaria.”, installation view, MARQUISE, Lisbon, 2.3.–31.3.2018
ANA JOTTA, Conceição Silva, Auto Retrato, late 19th century, oil on wood, 17 × 19 cm
ANA JOTTA, “Não sendo Marquise, sempre quis ter uma Lavandaria.”, installation view, MARQUISE, Lisbon, 2.3.–31.3.2018
ANA JOTTA, Duane Allman, Goin’ Down Slow, 1969, 55″ (loop)
ANA JOTTA, “Não sendo Marquise, sempre quis ter uma Lavandaria.”, installation view, MARQUISE, Lisbon, 2.3.–31.3.2018
ANA JOTTA, Untitled (detail), 2018, heat transfer and acrylic on tea towel
ANA JOTTA, Untitled (detail), 2018, heat transfer and acrylic on tea towel
ANA JOTTA, Untitled (detail), 2018, heat transfer and acrylic on tea towel
ANA JOTTA, Untitled (detail), 2018, heat transfer and acrylic on tea towel
ANA JOTTA, Untitled (detail), 2018, heat transfer and acrylic on tea towel
ANA JOTTA, Untitled (detail), 2018, heat transfer and acrylic on t-shirt
ANA JOTTA, Untitled (detail), 2018, heat transfer and acrylic on t-shirt
