PORTA DE ENTRADA (FRONT DOOR)
Opening text from Forked Apologies (2017), 2019, photocopy,
21 × 29.7 cm
HALL DE ENTRADA (ENTRANCE HALL)
Mummy, 2018, bleach-dyed denim, 70 × 180 cm
MARQUISE
Mummy, 2018, bleach-dyed denim, 70 × 180 cm
COZINHA (KITCHEN)
Dashboard your setting sun, 2019, adhesive vinyl on aluminum kitchen appliance, 30×83 cm
Roadrunner, 2016–19, text on leaflet, 21 × 29.7 cm
Each of the pieces concerns a different passion or engagement in time management. Its objectives — in past, future and present — are roughly mine but easily transposed and staged onto your private quarters.
MICHAEL VAN DEN ABEELE, ”Beep-Beep”, installation view, MARQUISE, Lisbon, 12.4.–4.5.2019
MICHAEL VAN DEN ABEELE, Opening text from Forked Apologies (2017), 2019, photocopy, 21 × 29.7 cm
MICHAEL VAN DEN ABEELE, ”Beep-Beep”, installation view, MARQUISE, Lisbon, 12.4.–4.5.2019
MICHAEL VAN DEN ABEELE, Mummy, 2018, bleach-dyed denim, 70 × 180 cm
MICHAEL VAN DEN ABEELE, Mummy (detail), 2018, bleach-dyed denim, 70 × 180 cm
MICHAEL VAN DEN ABEELE, ”Beep-Beep”, installation view, MARQUISE, Lisbon, 12.4.–4.5.2019
MICHAEL VAN DEN ABEELE, Dashboard your setting sun, 2019, adhesive vinyl on aluminum kitchen appliance, 30 × 83 cm
MICHAEL VAN DEN ABEELE, Dashboard your setting sun (detail), 2019, adhesive vinyl on aluminum kitchen appliance, 30 × 83 cm
MICHAEL VAN DEN ABEELE, Roadrunner, 2016-19, text on leaflet, 21 × 29.7 cm
MICHAEL VAN DEN ABEELE, Roadrunner, 2016-19, text on leaflet, 21 × 29.7 cm
MICHAEL VAN DEN ABEELE, Mummy, 2018, bleach-dyed denim, 70 × 180 cm
MICHAEL VAN DEN ABEELE, Mummy (detail), 2018, bleach-dyed denim, 70 × 180 cm
